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Wednesday, May 04, 2005The Show Goes Downtown(Photo credit: David Yellen) BURLESQUE Only a boob couldn't see the appeal. It was Giuliani’s crackdown on lap-dancing, at least in part, that prompted the resurgence of burlesque in the early nineties. “When he did that,” says Keith Nelson, “performers started playing with the idea of what’s legal and permissible.” Certainly Julie Atlas Muz straddles the line between stripping and performance art; one routine ends with a toy astronaut landing on a naked Muz and planting a flag in her “moon.” The emcee of choice is the Jackie Gleason–esque Murray “Howya doin’ kid?” Hill, who credits the rough economy and global tension with the rise of burlesque-as-escapism. “Let’s face it,” he says, “I’m certainly not going to be depressed if I watch *BOB* mix and pour a martini with her boobs!” May 5, 2003 issue of New York Magazine
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